While "Historia Podwodna" is still post-punk, it sounds richer than Klaus Mitffoch's, expecially for the use of an electrified cello, played by Lech's wife Bożena Janerka, and for the peculiar saxophone of Tomasz Pierzchalski.
Guitars are also heavily treated and the structure of many songs hides unexpected twists.
If you like adventurous music which doesn't deny infectious tunes, this can be your album.
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