He decided to sing in Slovak only in 1978, convinced by the lyrics his friend and poet, Ivan Štrpka, offered him. The result was this cult album, perhaps too complex to win over mainstream audiences.
Symphonic prog, jazz fusion, and baroque pop are mixed in five tracks which combine the staple instruments of rock music with chamber strings, harpsichord, brass and wood instruments (including an unusual English horn). Keyboards are played by Jaro Filip, another legend of Slovak music.
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