There are two main elements on this album. One is Grechuta's heartfelt voice, which declaims beautiful Polish poetry. The other is the double bass played by Paweł Jarzębski, whose articulated lines are very loud in the mix and dominate the arrangements. The rest is occupied by gently played guitars, some pristine piano parts, and lots of percussion.
Try to imagine a less-baroque Polish version of Gainsbourg's "Histoire de Melody Nelson", a part spoken album where the melodies are determined by the richness of the instrumental architectures.
It is not among Grechuta's most popular works, but it is celebrated by critics as one of his bests, and so it is.
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