This debut album saw historic producer Vladimir Mihaljek (Smak and Bijelo Dugme among his protegees) helping a line-up of expert musicians, such as Vedran Božić (guitar),
Tihomir Asanović (organ), and Brane Živković (piano, flute).
The album was not a big success at the time, due to a first edition of 500 copies only, but it was soon reissued and never went out of print. Today considered one of the biggest classics of Yugoslavian rock, you can find it in every poll or list on this topic.
In their 32 minutes of duration the five tracks show a perfectly synchronized band divided between frantic funk-rock songs ("Istina mašina") and languid, atmospheric ballads ("Pjesma no. 3"), sometimes merging these two souls ("Kralj alkohol").
"Za koji život treba da se rodim" is the most celebrated cut: ten epic minutes where you can find guitar-driven jams, hypnotic piano patterns, wild flute solos, and that tragic electric organ crescendo just before the grand finale.
The only song I don't like is "Hegedupa upa", as it sounds like a stupid imitation of Cream or Jimi Hendrix, but the rest of the album is quite simply among the finest examples of non-British progressive rock.
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